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<strong>I’m getting near the end of my signing tour for ZOMBIE CSU. Along the way I’ve hit several independent bookstores, and that’s always a lot of fun. Indie stores are different from the chains in a lot of important ways.
First, they really know their customers. There’s more of a conversational back-and-forth between Indie store owners & staff and their regular customers. Which leads to a second and very important difference –since they know their customers they know what they like. These stores often have a lot of specialty stuff on their shelves that you won’t find anywhere else. Good example… my second novel, DEAD MAN’S SONG, sold out of its first print run. All of the major chains (including Amazon) are out of copies, but you can find new, signed copies at some of the indies, including: DOYLESTOWN BOOKSHOP (Doylestown, PA) http://www.doylestownbookshop.com/NASApp/store/IndexJsp BETWEEN BOOKS (Claymont, DE) http://www.betweenbooks.com/ CLINTON BOOKSHOP (Clinton, NJ) http://clinton.booksense.com/NASApp/store/IndexJsp These stores support writers and their honor readers. And as a writer AND a reader, I love 'em. Check ‘em out! And…support your local independent book store. -Jonathan www.jonathanmaberry.com </strong> Tags: bad moon rising, cryptopedia, dead man's song, ghost road blues, independent bookstores, vampire universe, zombie csu
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Gearing up for my ZOMBIE CSU book signing at the Borders in Center City Philly at 12:30 pm on Thursday. Stop on by!
Borders -Avenue of he Arts 1 S. Broad Suite 100 Philadelphia, PA 19107 Phone: 215.568.7400 Fax: 215.568.7466
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Writers Coffeehouse with Jonathan Maberry– Sunday from Noon to 3pm - FREE Come and join us on Sunday, September 28, from noon to 3pm at the Bucks County Coffeehouse in Doylestown PA for a free networking session. It’s a bunch of writers sitting around talking about writing…with coffee. No agenda…just chat about the latest trends in the industry, about markets, about pitching and selling, about frustration, about keeping the inner fires alight, about dealing with our families, about how damn tough it is to make it as a writer at the best of times and what writers can do to stay afloat in these troubled economic waters. This is stuff that writers can't really talk about with someone who isn't a writer. Writers get other writers: they're of a species. No previous publishing experience necessary…the Writers Coffeehouse attracts everyone from absolute beginner to award-winners and bestsellers. We’re all writers. So come on out and join us. This will be a monthly event. Grab a cup of coffee and head on downstairs to the Conference Room. See you Sunday. For more information, drop me a line at jonathan_maberry@yahoo.com Bucks County Coffee Company 22 N. Main Street Doylestown , PA 18901 (215) 345-0795 http://www.buckscountycoffee.com/ourstores/ourstores.html
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This past weekend my wife (Sara Jo) and I traveled to Tunkhannock, a small town of about two thousand people in Pennsylvania near(ish) to Scranton and Wilkes Barre. We’d never heard of before. Now that we’ve been there…we’ll absolutely be going back. The weekend turned out to be one of those genuine surprises that has come to define small town America. I was invited there by Hildy Morgan (of PennWriters) to give a full day’s worth of writing workshops for folks in the area. The workshop was part of a larger event to support the planned expansion of the Dietrich Theater. The old theater is a marvel. Original built in 1936 and closed in the late ‘80’s, it was brought back to life in 1998 and since then has been continually refined so that it’s now an elegant movie house that shows a mix of films but with a nice bias toward art films. Last weekend they were cruising along with a movie marathon that included MAN ON A WIRE, AMERICAN TEEN, BRIDESHEAD REVISITED, MONGOL (one of my recent favorites), and TELL NO ONE –a French film based on a novel by my friend Harlan Coben (current President of the Mystery Writers of America). http://www.dietrichtheater.com/festival.asp My wife and I were booked in at the Weeping Willow Bed and Breakfast, which has a view you won’t believe and true to its name, a massive weeping willow tree by the front drive that I first saw in the mist of early morning. Huge, green against the gray mist and the red barn, surrounded by flowers and with a cornfield rustling nearby. Pretty much a perfect image (even if you’re not a writer). We dined at Seasons, a restaurant that is virtually unknown outside of Wyoming County and which can holds it own against anything in New York or Philadelphia. My wife is still talking about the pan-seared Pistachio Parmesan Encrusted Grouper; and I will go on record that the crab cakes at Seasons are second to none (and yes that includes the Jersey shore and the entire state of Delaware). The owner/chef Bruce Arrowood is a genius and the town wasn’t a three hour drive away we’d be there every night. No joke. www.seasonsdowntown.com The group of writers to whom I spoke was terrific. Smart, focused, talented, and many of them are ready for that step into the pro leagues. They asked all the right questions and we had a blast! Sara Jo and I feel like we stumbled into someplace magical, and we know we’ve made some real friends. This Christmas we’ll be going back for their Christmas festival at the Dietrich and a big-screen showing of IT’S A WONDERFUL LIFE. Can’t wait! -Jonathan
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This is for all you zombie fans. ZOMBIE CSU : The Forensics of the Living Dead is the featured book in this month’s issue of RUE MORGUE MAGAZINE. Associate Editor Monica S. Kuebler does a bang-up job of discussing the content and highlights of ZCSU. It’s Issue #82, on newsstands now. Go buy it and feed your braaaaaiiinns. Here’s a link to the magazine’s website that has info on all the creepy goodies in this issue (which also sports a cool Alice Cooper cover!). http://www.horror-movies.ca/horror_12714.html
Zombie CSU official website: www.zombiecsu.com
Tags: dawn of the dead, day of the dead, diary of the dead, george a. romero, george romero, jonathan maberry, land of the dead, living dead, max brooks, night of the living dead, zombie, zombies
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A writer's 'voice' is usually a product of his word choice, phrasing
and pacing. Stephen King, for example, uses a lot of internal
monologue with his characters and is a cognitive rather than visual
writer. Dean Koontz uses a tremendous number of metaphors and
similes in his text. Read a page of each and you can tell one from
the other.
Also, a lot of writers use favoring expressions over and over
again. In every single James Lee Burke novel you'll find the
terms "fecund", "chemical green", etc.
Some writers can change their voice -either because they aren't
locked into one, or because their particular skill set doesn't rely
on a central voice for storytelling. Richard Matheson is an
example. His style for What Dreams May Come is totally different
than the voice he used for I Am Legend or Stir of Echoes. Other
writers deliberately change their voice with a new project, though
this takes a degree of effort. When I wrote PATIENT ZERO, the novel
I have coming out from St. Martins in March 2009 I chose a lean and
noir-ish style that was unlike the much more ornate style I used for
my trilogy of supernatural thrillers (GHOST ROAD BLUES, DEAD MAN'S
SONG and BAD MOON RISING). But it was a conscious choice and I
spent a while reading sections of old and new works aloud to look
for similarities so I could deliberately change them.
I like experimenting with variations on voice, and I find it easiest
to do this experimentation in short forms. When I wrote the short
story Pegleg and Paddy Save the World for the History is Dead
anthology I wanted a light, comedic voice and that took some doing
because it isn't my natural style. Earlier this year I was asked to
contribute a short story to an antho of West Virginia tales based on
folklore, and I decided to write a story in which Sherlock Holmes
visits the US and solves a crime tied to a folkloric event. That
was a deliberate experiment in voice because I wanted to see if I
could write in the style of Arthur Conan Doyle. To manage it I read
a ton of Sherlock Holmes stories and also fell back onto the useful
trick of reading things aloud: both Doyle's stuff and my own.
Then I hand stuff over to one of my trusted `first readers' and
asked him to see if it sounded like me or like Doyle.
I'm currently writing the sequel to PATIENT ZERO, so I have to
reclaim that nourish style; but at the same time I'm collaborating
on an urban fantasy novel with another author, and though we want
that to also have a noir feel to it we're working to make sure that
it has it's own unique voice.
It's not easy, but the challenge is fun.
The most useful strategies are to read through your work and
highlight phrases that you know you tend to repeat. And then read
pieces from two or three separate works aloud. Those two steps
genuinely help.
-Jonathan Maberry
www.zombiecsu.com
www.jonathanmaberry.com
www.careerdoctorforwriters.com
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Hey guys…for everyone who has been asking why it’s so darn hard to snag a copy of the middle book of the Pine Deep Trilogy, the news is that DEAD MAN’S SONG has SOLD OUT!
DEAD MAN’S SONG links the first book GHOST ROAD BLUES (winner of the 2006 Bram Stoker Award) and the concluding volume BAD MOON RISING (2008). It gives the creepy back-story to the whole Pine Deep mystery.
Bookstores (real world and online) are taking orders now so that when the new print run is ready the copies can be sent out right away.
So….go order your copy now!
THE PINE DEEP TRILOGY:
Ghost Road Blues (Pinnacle Books; ISBN # 0786018151)
Dead Man’s Song (Pinnacle Books; ISBN # 078601816X) Bad Moon Rising (Pinnacle Books; ISBN # 0786018178)
http://www.amazon.com
http://www.BarnesandNoble.com

Tags: bad moon rising, bram stoker award, dead man's song, ghost road blues, jonathan maberry, pine deep, vampires, werewolf
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